Serving Up Utter Nonsense Since 1995

Tasteful Music For A Funeral

The following is a list of tasteful classical music for a funeral. Now to track down versions of these songs in iTunes.

Debussy – Claire De Lune
http://www.youtube.com/watch?v=-ip64cG7gK4&ob=av2n

Ravel – Pavane Pour Une Infante Defunte
http://www.youtube.com/watch?v=GEUpQ5pCSOQ

Pachelbel – Canon
http://www.youtube.com/watch?v=MK6heUdRr-E

Chopin – Berceuse in D-flat Major
http://www.youtube.com/watch?v=FZtBwlxL0Aw

Bach – The Well-Tempered Clavier, Book 1, Prelude and Fugue No 1 in C Major
http://www.youtube.com/watch?v=IrJjPYi_vhM&feature=related

Rachmaninoff – 18th Variation
http://www.youtube.com/watch?v=2pdbPE5SQ_0

Debussy – Reverie
http://www.youtube.com/watch?v=v0CLYpYKHNY

Liszt – Consolation No 5 in E Major
http://www.youtube.com/watch?v=FnCOtN8BdsA

Tchaikovsky – The Seasons, Op. 37 – June (Barcarolle)
http://www.youtube.com/watch?v=cyil3ZIuwuo

Chopin – Nocturne Op. 9 No. 2
http://www.youtube.com/watch?v=EvxS_bJ0yOU

Prokofiev – Cinderella Op. 97: Adagio (Pas de deux)
http://www.youtube.com/watch?v=WXeqWpH3LCg

Albinoni – Adagio in G Minor
http://www.youtube.com/watch?v=vD_ttb4eVVg

Shubert – Ave Maria
http://www.youtube.com/watch?v=jrwcHoWh9gc

Shostakovich – Prelude & Fugue No.10 C Sharp Minor
http://www.youtube.com/watch?v=JGnpboBFLyo

Schumann – Andante Cantabile op 47
http://www.youtube.com/watch?v=t29dy8sfBDc

Grieg – Adagio Piano Concerto in A Minor
http://www.youtube.com/watch?v=NhRbtNk-fXo

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My Dad Died

My dad passed away this morning. He left a living will that took the decision on his care out of our hands, but he fought death hard until he passed. The life slowly left his limbs as his circulation faltered,  his arms and legs becoming cold while his torso was hot and damp. His breathing was shallow, rapid and halting. He was unresponsive most of the time but would occasionally open his eyes and look around, I’m not sure if he was tracking voices or seeing people, his eyes were cloudy near the end. There were tears in his eyes a couple of times as he listened to his prognosis. We had him on a very heavy dose of morphine after the doctors decided that his condition wasn’t going to improve. He could no longer separate the fluids from his mouth from going into his lungs and required regular suction to ease his breathing. He had lost the ability to control anything but his left hand, and at first was able to respond to questions by squeezing our hands but gradually as the sensation left his extremities we lost even that mode of communication. He fought right until the end. When the operating surgeon, who had guided the unsuccessful surgery that resulted in his third, debilitating stroke, came around to talk to us he lifted his head angrily but was unable to yell at him or sustain the effort. As he breathed his final breaths, in what may have been just a reflexive movement or might have been a superhuman effort, he moved what had been his immovable right arm and brought his hand up to his chest. He was a man who wanted to live at all times, inside he wanted to live, even when circumstances arose that he himself had planned for. He was loved by many and will be missed and remembered.

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Must Read: Prophet #21-23

If you’re a fan of pulp fiction, Moebius, or King City check out the three story arc of Prophet, issues #21-23. The artwork by Simon Roy is stunning and idiosyncratic, with a sort of decomposed look to all the figures, portraying a future earth ruled by aliens and populated with strange devolved animals and humans. The story by Brandon Graham and Simon Roy works in a pulpy, non-superhero comic way, with the narrative bubbles never extending far from building the tension of the story rather than explaining the story for you. It’s a book propelled by imagery and graphic exposition where not everything is immediately revealed and thankfully not everything is explained, and really conveys the sense of a stranger on a strange earth effectively.

The payoff in issue #23 is surprising and rewarding, and the arc is a complete self-contained story. I had no idea who Prophet was before picking up issue #21 and it in no way hindered my enjoyment of the story, and issue #23 wraps things up so nicely, which seems to rarely happen in comics nowadays, that I was left eager to see what the next story would be like.

It should be available at your local comic book store – in Chicago, Third Coast Comics had multiple issues left on the racks (issue #21 is already on its second printing), and if you can’t track it down in real life it’s available from ComiXology at a reduced price for digital reading. $2.99 print/$1.99 digital.

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What’s Wrong With John Carter?

So I saw the movie John Carter over a month ago but I’m still going over what was wrong with it in my head, it had so many problems that it seems like a good model of what not to do when crafting a story. I was so irritated by the missed opportunity of John Carter that I read the book it was based on (A Princess of Mars) to see if the problem was the source material. The book turned out to be pretty good with richly developed relationships and clear motivations for the characters. You can read that for free on Project Gutenberg.

I’m reading a lot that people think the movie flopped because of bad marketing, which is just logically false. Enough people saw the movie in the first week, myself included, that positive word of mouth could have saved the box office for this film. If you look on Facebook, only a shade under 8,000 people care enough to want to go back. The movie failed because it skimped on logic, motivation, and developing sympathy for the characters. I think I need to see it again just to make sure that what I thought was wrong with it was actually wrong with it but here’s my list. SPOILERS AHEAD:

The primary problem is the omnipotent shadowy villain controlling events but making extremely bad decisions. It seems that if you write a story involving an all powerful mastermind directing events, there should be some discernible reasoning behind his/her/their actions, and their actions should have some menace to them.

I’m not sure if knowing the names of the characters in the movie is any help because the movie never stays with one character long enough for you to care what they’re named, but the primary villain is Matai Shang played by Mark Strong. Mark Strong is an able actor and very capable of conveying a sinister presence, but he’s failed almost completely by the story.

Matai Shang is a Thern, who according to the movie are a race of shape shifting, super weapon wielding, planet/galaxy hopping baddies who get off on destroying a planet’s natural resources and then moving on to the next planet and doing the same, rinse/repeat. The Therns didn’t appear at all in A Princess of Mars, and from what I can gather weren’t shape shifting, super weapon building, planet hopping people either. This is an element that Stanton and Chabon introduced on their own, and it could have worked but it didn’t because they were incompetent.

Almost all of their actions are convoluted. Dejah Thoris is presented as a threat to their plans because she’s about to discover the key to the Ninth Ray. This isn’t gone into in any depth, and her attempt is sabotaged by a Thern who has shape shifted and throws a figurative monkey wrench into the machine she’s devised. So at this point, you’d expect that the Therns, who can shapeshift, would simply kill her. This could be done at any point… they can shape shift, they can vaporize people with their Ninth Ray power gloves – if it came down to it and they were cornered they could leave the planet entirely and chill out on Earth or any other planet in the galaxy until the hubbub died down.

This is exactly not what they choose to do. Instead, they craft a plan to have Dejah Thoris marry the supposedly villainous Sab Than, who they have given a Ninth Ray power glove to, so that they can kill her after they’ve married so they can destroy Helium for some inexplicable reason. If there was something in the movie explaining why this plan made sense it didn’t register. This was nowhere in the original book, and seems very flimsy and tacked on. The movie should probably have emphasized that Dejah Thoris and the Heliumites were at war but wanted to have peace with all the peoples of Barsoom, setting some sort of contrast between the peoples of Barsoom.

Again, Sab Than has been given a super weapon Ninth Ray power glove, with which he can vaporize entire air ships and with which he, as the movie depicts, successfully wages an onslaught against the cities of the Heliumites. If the Therns want him to destroy Helium, HE’S ALREADY DOING IT. Why do they want him to force a marriage to Dejah Thoris? He’s alread doing EXACTLY WHAT YOU WANT. You can kill Dejah Thoris at your leisure, or you can have him defeat Helium and have her killed after the city’s been conquered. This is the big overarching flaw with the movie, and it’s the same problem that Battlestar Galactica reimagined had – a seemingly all powerful race that you’re told has a plan who, as the story progresses do totally illogical things and end up not having a plan.

Why does anything happen in this movie? Stanton takes the time out to explain that it’s because of the Therns. The Zodangan moving city that eats up the environment? Thern driven. The marriage between Sab Than and Dejah Thoris? Thern driven. The removal of John Carter from Mars? Therns. Expecting an epic sword fight between John Carter and Sab Than? Er, no… just as the fight begins the Therns kill Sab Than.

There have been plenty of movies that didn’t have airtight plots that still were excellent movies. This wasn’t one of them. There are plenty of movies that have no strong villains that are still hella enjoyable because of dialogue and character development. This wasn’t one of them.

The relationship between John Carter and Dejah Thoris is flat, unbelievable, and lacking in any magic. In the book, Dejah Thoris was captured while on a scientific expedition charting the air currents of Mars, captured by the Tharks with whom a constant state of war existed. And when captured, she gives a speech talking about how the two factions should strive for peace, a speech that John Carter overhears which, along with her exceptional beauty, makes John Carter fall in love with her – and Dejah Thoris falls in love with John Carter because of his kindness and noble, heroic bearing. He does the right thing because he’s a stand up type of guy, and the story builds on his character from situation to situation where he demonstrates his innate heroic nature.

In the movie, John Carter and Dejah Thoris somehow end up getting married. John Carter is sort of this listless character, Dejah Thoris is sort of manipulative. At some point John Carter has a flashback to how his family died because he was OFF FIGHTING TO PRESERVE SLAVERY. And here’s where the writers could have totally changed things up and had them make more sense. Instead of John Carter not wanting to fight because while he was away his family got killed, they could have set it up so that we understood that he didn’t want to fight because he realized that when he fought before, he was fighting for the wrong reasons. Nobody knows why Dejah Thoris and John Carter end up getting married because the relationship never showed any spark beyond the “a man and a woman are on an adventure so obviously they’re in love by the end” trope.

As annoying is the undeveloped relationship between Tars Tarkas and John Carter. We are asked to accept that, after seeing John Carter jump really high, Tars Tarkas is willing to accept John Carter as his right topmost arm. This is an extreme jump to ask the audience to make. Instead of depicting Tars Tarkas as one of the few Tharks who was able to break through his Thark conditioning and be and have a friend, we’re left with the impression that Tars is kind of a kooky idiot who is easily impressed.

And here it should be pointed out that an hundred year old book had better character development than a $250 million dollar movie. In the book, Tars is a secondary chieftain, not the supreme leader of Tharks. He has an actual motivation that is developed – his hatred of Tal Hajus for killing the woman he loved, and a desire to have revenge upon him and become the “Jeddak” or the Tharks. In the book, he actually exacts his revenge on Tal Hajus and by right of combat becomes leader of the Tharks. In the movie he’s robbed of motivation, and he’s robbed of becoming leader of the Tharks by virtue of his fierce combat skills. Instead, John Carter kills the enemy Thark and Tars becomes leader because why? No reason. It makes no logical sense that John Carter killing Tal Hajus leads to Tars Tarkas becoming Jeddak, and no sense that the Tharks would follow John Carter into a war against Zodanga because John Carter killed their leader.

Also, in the book we understand that John Carter is actually in danger initially while with the Tharks. The Tharks want to put him in the arena where he’ll fight until he’s dead, they don’t immediately make him the first lieutenant of the tribal chief. The relationship is allowed to develop and overcome obstacles and roadblocks.

The third failed relationship is Woola. Why is Woola the faithful sometimes savior of John Carter? In the movie he just is. No explanation given. If you read the book, you’ll see that this the third most important relationship is developed in a believable manner – John Carter saves Woola from death, treats him with more kindness than a Thark would, and wins his affections. In the movie he is simply another deus ex machina appearing to save John Carter when the screenwriters painted themselves in a corner.

The movie had other problems. Yes, having earth strength won’t help you pull a chain to break a boulder in half. Yes, the pacing was off, and the character reveals all happened in all the wrong spots. Yes, the arena fight scene looked a bit fake, and all the other fight scenes were unmemorable at best. On the bright side, the movie had an excellent cast – all of the people in it were enjoyable in something else. Lynn Collins was very pretty, the creature and special effects and 3D scenery were quite good, but overall this movie was sunk by the items listed above. Is it Wolverine Origins bad? No. Is it walk out of the theater bad? I would say yes, and a number of people did just that at the screening I attended. In sum, this was a movie sunk by the movie and not the marketing.

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July Soundtrack

  1. Gubert Einer Nation – Laibach
  2. Distant Sun – Crowded House
  3. Chelsea Hotel #2 – Leonard Cohen
  4. Cruel Summer – Bananarama
  5. Not the Tremblin’ Kind – Laura Cantrell
  6. Gimme Shelter – The Rolling Stones
  7. Forced March – Zelienople
  8. Mercy Street – Peter Gabriel
  9. Alone Again (Naturally) – Gilbert O’Sullivan
  10. The First Cut is the Deepest – Cat Stevens
  11. Still Alive – GLaDOS and Jonathan Coulton
  12. Until I Almost Died – Blake Babies
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June Soundtrack

Mix tape o’ the month.

  1. Here Come the Warm Jets – Brian Eno
  2. Voodoo Child (Slight Return) – Jimi Hendrix
  3. Big Car – Severed Heads
  4. Mercy Mercy Me – Marvin Gaye
  5. Lives of Crime – Fruit Bats
  6. This Night Has Opened My Eyes – The Smiths
  7. All I Want Is Calm – Zelienople
  8. Badge – Cream
  9. It’s Only Love – The Beatles
  10. Waiting For The Moon To Rise – Belle & Sebastian
  11. Somebody That I Used To Know – Elliott Smith
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May Soundtrack

Soundtrack for this month is made up mostly of soundtrack music:

  1. Long Way Down – Michael Penn
  2. Define Dancing – WALL·E Soundtrack
  3. The Imperial March – John Williams
  4. Lasiurus – Batman Begins Soundtrack
  5. The Way I Feel Inside – The Zombies/Life Aquatic Soundtrack
  6. Zissou Society Blue Star Cadets – Life Aquatic Soundtrack
  7. Darth Vader’s Death – John Williams
  8. Down to Earth – WALL·E Soundtrack
  9. You Only Live Twice – Nancy Sinatra
  10. Raiders of the Lost Ark – John Williams
  11. Walter Reed – Michael Penn
  12. Motion Picture Soundtrack – Radiohead
  13. Exit Music (For A Film) – Radiohead
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Star Wars Episode III: Fall of the Jedi – Outline

More years have passed. Annakin is secretly seeing Laika even though it’s verboten in the Jedi religion. They decide to get married.

Annakin and Obi Wan are dispatched on a mission to Cepheus. Obi Wan makes a tactical decision that is rational but that will certainly cost several hundred Cephian lives. Annakin proposes a different course with higher risk but greater rewards (if successful, fewer innocent lives will be lost). Argument. Annakin storms out and gathers a small group of troops to accompany him following what he decides is the best course of action. Annakin’s plan works. Uncomfortable silence on the way back.

Annakin is brought before the Jedi council and is booted from the Jedi Order.

Obi Wan is told by the Jedi Council to meet with Count Dooku on Mustafar and discuss a peace treaty.

Laika consoles Annakin. While they’re talking she’s preparing to pilot a mission about which she’s been sworn to secrecy.

Annakin is summoned by Chancellor Palpatine. Palpatine reveals that the secessionists are gathering on Mustafar. Chancellor Palpatine explains that there are two sides to the force, one passive, one active. Palpatine reveals that he is in fact a Sith Lord, and that Annakin should join the Sith. Palpatine tells Annakin to look at the good he’s been able to affect using the Dark Side of the force. Palpatine says the whole war has been masterminded by the Jedi and if he goes to Mustafar he will learn the truth of events.

Laika pilots Obi Wan to Mustafar. Annakin is sitting cross legged waiting for him. In flash backs we see his murder of the Count Dooku and his entourage. Annakin accuses the Jedi Council of being in league with the secessionists. Force choke on Laika. Light saber battle.

So this is how the Prequels end. I think in all our minds this is what happened and for some reason the only person who didn’t envision it this way was George Lucas. I mean, why tease that Annakin’s some kind of mechanical genius if you’re not going to use this ending?

The burned, unlimbed corpse of Annakin is discovered by natives of the planet who take him back to their village, which is strewn with wreckage and robotic junk. Over the course of weeks they nurse him back to health using wraps and ointments. There is hatred in his eyes, which are the only part that show through the wrappings.

Somewhere while he’s being treated, he hears Laika’s voice in his head as she dies in childbirth. For about four minutes the camera sits on him as he flails about saying “NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!”

Using the force, he pulls apart machinery and rearranges it, building himself mechanical limbs. In this exposed state, you can see his chestplate visibly compressing his chest to aid his breathing. A villager tries to help him but Annakin force lifts him by the throat and dashes him against a wall. Annakin lumbers across the barren, steaming landscape back to where he left his ship. There beside his ship is an Imperial Shuttle. The Emperor is waiting for him. He kneels before the Emperor and says, “What is thy bidding, my master.” End, clear the theater.

Arguably, this could also be the middle and then the execution of the Jedi could be the final half of the movie, along with Obi Wan taking baby Leia to the still sad looking Organas and leaving Luke with his brother Owen. So first half enforces the inevitability of the clash between Obi Wan and Annakin, clash, apex, all downhill from there. Now I just have to live until Star Wars is public domain and I can make my version of the Prequels.

Episode 1
Episode 2
Episode 3

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Star Wars Episode II: The Clone Wars – Outline

Clone Wars happen. Palpatine becomes chancellor, backed by the rich and powerful classes of the Republic who think they can control him. By this time, a number of years have passed and Annakin has developed his Jedi powers. The majority of the movie occurs on a swamp planet in the Ordian system where Obi Wan, Annakin, and a female pilot named Laika are stranded behind enemy lines. Annakin learns of the force, Laika and Annakin fall in love. At the end a major victory is won through the efforts of the three. Yoda confers with Obi Wan at the end and admonishes him, sensing that Annakin has the powers of a Jedi. Annakin is made a Jedi Knight.

Episode 1
Episode 2
Episode 3

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Star Wars Episode I: The Gathering Storm – Outline

So I’m all agitated by the latest Red Letter Media review and my wheels are spinning on how the Prequels could have not sucked. So far I’ve come up with a small, incomplete outline of how the story could’ve been told:

The Ordian System is built on clone labor. A group of clones rebel against their makers and carry out guerrilla attacks throughout the system. Bail Organa from the Alderaan System is providing them with support, viewing clone slavery as an abhorrence.

The movie begins with the kidnapping of Bail Organa’s daughter Padme by the Ordian leader, Count Dooku.

Bail Organa asks Obi Wan Kenobi in private to ask him to rescue his daughter, without the knowledge of the Jedi Council. Organa informs him that Senator Palpatine is aware of the situation and can provide additional assistance.

Obi Wan gets a security code from Senator Palpatine, whose planet Naboo still has trade relations with Ordia. Palpatine suggests that Count Dooku has gone to far, and that the escalating conflict could lead to civil war. He suggests that concessions could still be made and galactic peace can be preserved.

Obi Wan, who doesn’t know how to pilot a ship, takes an Interstellar Bus to Tatooine. He stops at his brother Owen’s and discusses his misgivings about the Jedi Council, and about the task at hand. Owen suggests that he find a pilot at Mos Eisley. By reputation he finds Annakin Skywalker (about twenty-seven years old) who is reported to be a bit of a daredevil and a good pilot. Annakin Skywalker could still be played by Hayden Christensen. Obi Wan makes the proposition that with the security code he could bypass Ordia’s defense forces and sell his cargo at a significant profit, in exchange for transporting him to the planet’s surface.

Obi Wan, Annakin, and Dak, Annakin’s youger brother at about sixteen years old, who is also the ship’s mechanic, fly to Ordia and have character development together in flight.

Princess Padme is brought before Count Dooku. He explains to her that the clones have no spark (soul) and that the rebellion is an aberration. To demonstrate his point, Count Dooku calls in a clone and commands him to kill himself. The clone hesitates and says “please” before giving in to Dooku’s will and killing himself.

At the security perimeter, something goes wrong and three defense fighters begin pursuit of Annakin’s ship.

The resulting chase occurs in a cityscape so that there’s actual aerial acrobatics going on, instead of in space where no one can hear you fap.

Annakin outpilots and guns down the enemy fighters but his ship is damaged and they crash land in the wastelands. Annakin has been injured and as security ships arrive Obi Wan and Dak flee, leaving Annakin behind. End of scene is two masked figures appearing in the shattered hull of the ship and igniting lightsabers.

At the rebel camp, they’re roasting a man sized rabbit eared creature for dinner.

Pim, the son of the leader of the clone rebellion, goes with Obi Wan and Dak to the Imperial City.

Dak closes his eyes and concentrates and the security code to the prison lock appear in his mind. He enters them in and the door breathes open. Obi Wan, Dak and Pim find Annakin in the torture chambers.

The princess is rescued, there is a light saber battle between Obi Wan and the Outcast Jedi. As they’re escaping Annakin is shot in the head and his hair goes *floof* in a big ball of fire and he dies. Dies dead.

Dak pilots the stolen fighter through another gratuitous space fight and back to Alderaan.

Pim pleads his case in front of the Senate, asking for aid in his people’s struggles. The Ordian System has many allies though, and they refuse the interjection of Republic authority setting the stage for Galactic civil war.

Obi Wan goes to Yoda and tells him that he senses the force is strong in Dak, and that he wants to train him to be a Jedi. Yoda advises against it and Obi Wan agrees not to take him on as his Padawan.

Obi Wan and Dak, walking towards Organa’s office, discuss what Yoda said. Obi Wan says that while he won’t take on Dak as his Padawan he will train him in the ways of the force. Dak says that he’s going to take his fallen brother’s name, Annakin.

Senator Organa has just arrived back from the Senate meeting. Obi Wan, Dak, Padme, Mrs. Organa, and two bodyguards are in the office already. Organa says that war is now inevitable. Annakin impetuously says that he wants to join the liberation force that Organa is preparing, as a pilot. As the Senator moves to hug his daughter, she draws a short sword and is shot by one of the Senator’s bodyguards as she prepares to stab him through the heart. Linger on the Senator and his wife’s shocked, saddened faces. Padme’s lifeless body slumps to the floor.

End with scenes of Ordia and it’s allied systems preparing for war.

Episode 1
Episode 2
Episode 3

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